麻豆官网

Literary and Theatrical Experiments of New Russian Drama

By Birgit Beumers, reader in Russian at the University of Bristol,听and Mark Lipovetsky, associate professor of Russian studies and comparative literature at CU

New Russian Drama began its rise at the end of the 20^th听century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works penned by young Russian playwrights.

鈥淧erforming Violence鈥� is the first English-language study of the consequent boom in drama and why this new breed of authors were writing fierce plays, whilst previous generations had preferred poetry and prose.

Since 1999 numerous festivals of new Russian drama have taken place, which have brought international recognition to such playwrights as the Presnyakov brothers, Evgeni Grishkovets and Vasili Sigarev.

At the same time, young stage directors and new theatres also emerged. New Russian Drama is therefore one of a few artistic and cultural phenomena shaped entirely in the post-Soviet period, and this book investigates the violent portrayal of identity crisis of the generation as represented by theatre. Reflecting the disappointment in Yeltsin鈥檚 democratic reforms and Putin鈥檚 neo-conservative politics, the focus is on political and social representations of violence, its performances and justifications.

鈥淧erforming Violence鈥� seeks a vantage point for the analysis of brutality in post-Soviet culture. It is a key text for students of theatre, drama, Russian studies, culture and literature.